GETTING MY PETITE EBONY TOYING TO WORK

The delightfully deadpan heroine in the heart of “Silvia Prieto,” Argentine director Martín Rejtman’s adaptation of his have novel with the same name, could be compared to Amélie on Xanax. Her day-to-working day life  is filled with chance interactions along with a fascination with strangers, even though, at 27, she’s more concerned with